{"id":544,"date":"2022-10-30T19:12:26","date_gmt":"2022-10-30T19:12:26","guid":{"rendered":"http:\/\/pkorsak.eu\/audio-video\/"},"modified":"2023-01-21T19:32:43","modified_gmt":"2023-01-21T19:32:43","slug":"audio-video","status":"publish","type":"page","link":"https:\/\/pkorsak.eu\/en\/audio-video\/","title":{"rendered":"AUDIO\/VIDEO"},"content":{"rendered":"\n

I take great pleasure in recording and mixing audio\/video. Of course, the global pandemic made playing or recording live almost impossible. That’s why I’ve been searching for remote mixing jobs.<\/p>\n\n

Two medium medium-lentgh documentaries for which I post-produced sound are still waiting for their premiere. I’ve taken this time to learn new DAWs, and get more theoretic background.<\/p>\n\n

Recently, I’ve been recording some of my own tracks.<\/p>\n\n

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Niwea – \u0141askocz\u0105ce rzeczy [cover]<\/h2>\n\n\n\n

Arrangement, mix, masterRecording and mixing Piotr Korsak, video – Filip Lisowski<\/a><\/p>\n<\/div><\/div>\n\n

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Short pitch movie<\/h2>\n\n\n\n

Sound editing and post-production of sound effects<\/a><\/p>\n<\/div><\/div>\n\n

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Asia i Koty – I’m Gonna Use My Claws<\/h3>\n\n\n\n

A single from Asia i Koty’s second LPElectronic drums and effects<\/a><\/p>\n<\/div><\/div>\n\n

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Asia i Koty – Live in Radio Gda\u0144sk<\/h3>\n\n\n\n

A live recording, I play the drumsWith Asia i Koty I was responsible for the drums, electronics and the drum machine<\/a><\/p>\n<\/div><\/div>\n\n

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Szezlong – About Trust<\/h3>\n\n\n\n

Live video editingThe show was recorded at KontenerArt in Poznan<\/a><\/p>\n<\/div><\/div>\n\n

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Szezlong – Overlap [LP]<\/h3>\n\n\n\n

Recordings done almost exclusively “live” with the band playing alltogetherwith Bart\u0142omiej Maczaluk and Jakub \u017bwire\u0142\u0142oMix and master Micha\u0142 Kupicz<\/a><\/p>\n<\/div><\/div>\n\n

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Oslo Kill City – DIY from the rehearsal room<\/h3>\n\n\n\n

All band recorded live in the rehearsal roomSound and video recording and editing Piotr Korsak100% DIY aesthetic<\/a><\/p>\n<\/div><\/div>\n\n

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We Call It A Sound – Tr\u00f3jpole [LP]<\/h3>\n\n\n\n

We Call It A Sound LPI play in 3 tracks from this LP using a classical drumset and other percussive instruments<\/a><\/p>\n<\/div><\/div>\n\n

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…more about audio<\/h2>\n\n

I started my interest in the audio world when I was still a teenager, around 2005. It was back then that I’d first encountered a bass guitar. However comical and amateur those first trials were, music and sound is a huge part of live since then. I’ve been trying to find more photos than those presented in the gallery below gallery<\/a>. Unfortunately, early 00’s weren’t the most convenient times in terms of shooting and documenting everyday lives, so probably some photos are gone forever.<\/p>\n\n

I was actively involved in bands such as Szezlong, Oslo Kill City and Asia i Koty. <\/p>\n\n

However, since 2019 I have dedicated most of the time for music recording and production. <\/p>\n\n

I switch between Logic, Audition, Ableton and Audacity, depending on the task. I use external plugins, but often I’m amazed by effects achieved using plain, stock tools. I like to keep my setup nice and clean. <\/p>\n\n

For video-related work, I use almost all of the tools from Adobe CC* (Photoshop, Premiere, After Effects and Illustrator). I am flexible while picking the right software for the job. I am also very fond of Apple’s software*, mainly Final Cut and Motion – I try not to stick only to one company.<\/p>\n\n

*none of the above companies or brands neither sponsor me nor did it tweak my opinion in any way; I use the software that I find the best and most suitable for me and I think that the creators deserve really huge kudos<\/p>\n","protected":false},"excerpt":{"rendered":"

I take great pleasure in recording and mixing audio\/video. Of course, the global pandemic made playing or recording live almost impossible. That’s why I’ve been searching for remote mixing jobs. Two medium medium-lentgh documentaries for which I post-produced sound are still waiting for their premiere. I’ve taken this time to learn new DAWs, and get […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":543,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-544","page","type-page","status-publish","hentry"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":5}},"_links":{"self":[{"href":"https:\/\/pkorsak.eu\/en\/wp-json\/wp\/v2\/pages\/544"}],"collection":[{"href":"https:\/\/pkorsak.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pkorsak.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pkorsak.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pkorsak.eu\/en\/wp-json\/wp\/v2\/comments?post=544"}],"version-history":[{"count":4,"href":"https:\/\/pkorsak.eu\/en\/wp-json\/wp\/v2\/pages\/544\/revisions"}],"predecessor-version":[{"id":563,"href":"https:\/\/pkorsak.eu\/en\/wp-json\/wp\/v2\/pages\/544\/revisions\/563"}],"up":[{"embeddable":true,"href":"https:\/\/pkorsak.eu\/en\/wp-json\/wp\/v2\/pages\/543"}],"wp:attachment":[{"href":"https:\/\/pkorsak.eu\/en\/wp-json\/wp\/v2\/media?parent=544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}